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As a result, Steiner noted, "they began to add a little music here and there to support love scenes or silent sequences." But in scenes where music might be expected, such as a nightclub, ballroom or theater, the. In a later scene, the Katie theme plays as a drunk Gypo sees a beautiful woman at the bar, insinuating he had mistaken her for Katie. As the men are deciding who will be the executioner, the motif is repeated quietly and perpetually to establish Gypo's guilt and the musical motif is synchronized with the dripping of water in the prison. A b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah Palmer, Christopher. It expressed Kong's "feelings of tenderness towards his helpless victim." The music underscores feelings that the camera simply cannot express. Retrieved August 14, 2018. Soundtrack: The Music of the Movies.
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fairly simple style, the music often relying too heavily on the Viennese waltz style. Memo from David. A b c d Darby, William; Du Bois, Jack (1990). "Now Voyager: The Classic Film Scores of Max Steiner National Philharmonic Orchestra Credits AllMusic". 21 :113 2 :29 Steiner constructed the score on Wagnerian leitmotif principle, which calls for special themes for leading characters and concepts. "Max Steiner Hollywood Star Walk". 32 :227 The most well known of Steiner's themes for the score is the " Tara " theme for the O'Hara family plantation. 43 2 :29 In his music, Steiner relied heavily on leitmotifs. Burbank, California: Redwood Press. 31 Steiner ignored Selznick's wishes and composed an entirely new score. 7 :56 Steiner frequently worked with composer Hugo Friedhofer who was hired as an orchestrator for Warner Bros; Friedholfer would orchestrate more than 50 of Steiner's pieces during his career. 5568 a b Haver, Ronald. During this period I also digest what I have seen, and try to plan the music for this picture. Many of his film scores are available as separate soundtrack recordings. Garden City, New York: Doubleday Company, Inc.